Abstract

The text establishes relationships between painting and architecture in the architectural space. The writing creates links between space designed by Josep Lluís Sert and painting activity that Joan Miró performed in the building Son Abrines in Mallorca. One of the reasons why painting in Europe is shaped by itself, from Giotto to Picasso for example, is the relationship between space and use that canvas itself shows. Any painting of the time comes to present the mystery of an event by a pictorial content. Relations between space and use represented are the reason that often led the painter to develop a picture. In the case the study designed by Sert for Miró, the motive for research is to combine the work space and the space of painting from an interpretation to the painting without leaving the space which is gestated. The purpose is to reveal or display the contents of two distinctive pro grams of the twentieth century: housing and paint shop, from a concrete analysis environment Joan Miró and Josep Lluís Sert