Abstract

The different ideals and purposes of the groups of architects around the “collective” derive in architectures and other very diverse productions. The important attention to the graphic will be a common element between this heterogeneity. The disclosure of its architecture and its processes are in general an essential objective in the “collective” ... plans, drawings and models will be an ideal material to disseminate their work and their ideas in publications and networks. Some collectives chosen for their care in “the graphic” leave evidence of the exposed. Six selected studies provide the graphic imaginary to be analyzed from three sections: transgression, experimentation and communicability, as characteristic components of graphic strategies in the architecture of collectives.