Abstract

Fernand Léger’s painting coincided together intermittently with aspects of modern architecture such as the harmonious relationship between volumes, lines and colors. His choosing of the mural as opposed to easel painting allowed him to include factors like weight, contrast or chromatic balance in his work. He was of the opinion that all of these aspects, coupled with others of a more social nature, such as utility, should govern future artistic value, without forgetting to make the most of the successful experiences of the past. This article will analyze the evolution of his most synergetic creations in architecture, addressing both his thoughts as a prolific writer and the bringing to life of these thoughts in his painting. This double reading makes it easier, from a spatial approach, to identify elements of innovative architectural experimentation, such as the flexible wall, the elastic wall or the color associated with both constructive and vital characteristics, on relating them with their sensory and psychological effects. The aim will be to demonstrate, from a critical point of view if the understanding between the tripartite Wall-Architect-Painter, which he dedicated himself to, along with others, achieved the longed for integration of art or if, on the contrary, this symbiosis adversely affected the architecture that housed his work and pictorial creations in certain cases.